Philip French: The Renowned Film Critic and Radio Producer
A Life Dedicated to Cinematic Storytelling
Philip French, the esteemed English film critic and radio producer, left an indelible mark on the world of cinema. For over five decades, he regaled audiences with his insightful reviews and thought-provoking critiques, earning him a reputation as one of the most respected and beloved film critics of his time.
Early Life and Education
Born on August 28, 1933, in Liverpool, French was the son of an insurance salesman. He received his education at the direct grant Bristol Grammar School and later at Exeter College, Oxford, where he studied Law. His academic pursuits continued with a postgraduate degree in Journalism from Indiana University Bloomington, where he was awarded a scholarship.
Journalistic Career
French's foray into journalism began in 1957 as a reporter for the Bristol Evening Post. He went on to become the theatre critic for the New Statesman between 1967 and 1968, and later, the deputy film critic to
David Robinson at The Times. However, it was his role as the film critic of The Observer, which he held from 1978 until his retirement in 2013, that cemented his reputation as a leading authority on film.
Awards and Honors
In recognition of his contributions to the world of film, French was appointed Officer of the Order of the British Empire in December 2012. This prestigious honor was a testament to his dedication and commitment to the art of film criticism.
Radio Producer and Author
In addition to his work as a film critic, French was a prolific radio producer, working for the BBC from 1959 to 1990. During this period, he produced several notable programs, including The Critics and Critics Forum. He also authored several books on film, including The Movie Moguls: An Informal History of the Hollywood Tycoons and Westerns, which was revised and re-released in 2005. His book Cult Movies, co-written with his son Karl, offers a fascinating exploration of the world of cult cinema.
Legacy
Upon his passing on October 27, 2015, French was remembered by his peers and colleagues as a true giant of film criticism. Mark Kermode, his successor at The Observer, praised French as an inspiration to an entire generation of film critics. His legacy continues to inspire and influence film enthusiasts, critics, and scholars around the world.
Quotes and Memorable Sayings
French's witty and incisive writing style was punctuated by numerous memorable quotes and observations. One of his most famous quotes, "The cinema is a machine for making dreams," continues to captivate audiences and remind us of the transformative power of film.
Influence on Modern Society
French's impact on modern society extends far beyond the realm of film criticism. His thoughtful and engaging writing style helped to demystify the world of cinema, making it more accessible and enjoyable for audiences everywhere. His legacy continues to inspire new generations of film enthusiasts, writers, and critics.
Career Highlights and Major Works
- Film critic for The Observer (1978-2013)
- Radio producer for the BBC (1959-1990)
- Author of The Movie Moguls: An Informal History of the Hollywood Tycoons and Westerns
- Co-author of Cult Movies with Karl French
FAQ
What was Philip Frenchs role at The Observer?
Philip French was the film critic at The Observer for over 50 years, writing weekly reviews and interviews with filmmakers.
What awards did Philip French win for his film criticism?
Philip French won the Prix Italiques in 1992 and the Dilys Powell Award in 2009 for his outstanding contribution to film criticism.
What is Philip Frenchs most famous book?
Philip Frenchs most famous book is his 2008 memoir, I Found it at the Movies, which recounts his life and career as a film critic.
Did Philip French teach film studies?
Yes, Philip French taught film studies at the National Film School and the University of London, sharing his vast knowledge of cinema with students.
What was Philip Frenchs take on cinematic art?
Philip French believed that cinema was a powerful art form, capable of capturing the human experience and transcending national boundaries.
