Tito Capobianco: The Visionary Opera Director and General Manager

A Legacy of Perfection in Opera Direction

Tito Capobianco was a renowned Argentine-American opera director and general manager of several prominent opera companies. Known for his perfectionism and intense management style, Capobianco left an indelible mark on the world of opera, shaping the careers of numerous singers and staff members.

Early Life and Education

Born on August 28, 1931, in La Plata, Argentina, Capobianco grew up in a musical family. His parents, who had fled Fascist Italy in 1928, instilled in him a love for music from a young age. He spoke Italian fluently, which later became an asset in the opera world. Capobianco attended a bilingual Spanish-Italian school until the 4th grade and continued his musical education at Hermanos Maristas de la Enseñanza and St. Joseph's College.

A Career of Excellence

Capobianco's professional debut came in 1953 with a production of Aida at the Teatro Argentino de La Plata. He went on to work at the Teatro Colón in Buenos Aires before making his American debut in 1962 with a production of Tosca at the Philadelphia Grand Opera Company, featuring Birgit Nilsson in the title role.

Throughout his career, Capobianco held esteemed positions as artistic director of the Cincinnati Opera Festival (1961-1965), the Cincinnati Opera (1962-1965), the New York City Opera (1965), the San Diego Opera, and the Pittsburgh Opera. He was known for his meticulous attention to detail and his unwavering pursuit of perfection.

Philosophy and Controversies

Capobianco's intense management style and perfectionism sometimes led to controversies. He once stated, "I am obsessed with something that does not exist: perfection." His autocratic approach to direction often put him at odds with singers and staff members. However, he believed that art required a single, unified vision, and that democracy in the arts was a hindrance to creative excellence.

Awards and Honors

Throughout his illustrious career, Capobianco received numerous awards and honors for his contributions to opera. He was recognized for his innovative productions, his dedication to nurturing young talent, and his tireless efforts to promote opera as an art form.

Personal Life and Legacy

Capobianco passed away on September 8, 2018, leaving behind a legacy of excellence in opera direction and management. His autobiography, "Tito's Way: The Art of Producing Opera," remains a testament to his unwavering passion for the art form. Today, opera companies and artists around the world continue to draw inspiration from his visionary approach to opera direction.

Quotes and Memorable Sayings

• "I am obsessed with something that does not exist: perfection."
• "The impetus of general director was the assurance to me that I could do whatever I wanted. There will be nobody except the board to stop me."
• "I don't believe in democracy in the arts. You don't use four persons to do the same painting."

Influence on Modern Opera

Tito Capobianco's impact on modern opera is still palpable. His unwavering commitment to excellence, his innovative productions, and his dedication to nurturing young talent have left an indelible mark on the opera world. As a testament to his legacy, opera companies and artists continue to strive for perfection, inspired by the high standards he set during his illustrious career.